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As she adjusts to life in the bad batch, Arlen discovers that being good or bad mostly depends on who's standing next to you. Ana Lily Amirpour. Sina Sayyah , Danny Gabai. Jun 23, limited. Sep 19, Suki Waterhouse Arlen. Jason Momoa Miami Man. Keanu Reeves The Dream.
Jayda Fink Honey. Yolonda Ross Maria. Louie Lopez Jr. Giovanni Ribisi Bobby. Jim Carrey Hermit. Diego Luna John. Ana Lily Amirpour Director. Ana Lily Amirpour Screenwriter. Sina Sayyah Producer. Danny Gabai Producer. Megan Ellison Executive Producer. Eddy Moretti Executive Producer.
Shane Smith Executive Producer. Lyle Vincent Cinematographer. Alex O'Flinn Film Editing. Brandon Tonner-Connolly Production Design. Sean Brennan Art Director. Lisa Son Set Decoration. Natalie O'Brien Costume Design. Kim Davis-Wagner Casting. View All Critic Reviews Nov 04, In a desert prison, the scum of humanity has either turned to cannibalism or a poor but hedonistic settlement. What could be a pretty wild albeit disgusting adventure is a slow, aimless story of revenge and redemption, with a pointless drug sequence dragging down the middle.
A film like a cannibalistic Burning Man Festival in slow motion: superficially great to look at but actually pretty ugly deep down and only bearable when you're on drugs. Only Jim Carrey's mini role is fascinating and the solution surprisingly light-hearted. Jens S Super Reviewer. Oct 09, Great cinematography and framing. Exceptional acting. But pacing is too slow, like quicksand pace. The Jim Carrey cameo is lightly amusing because of its contrast to the Jim Carrey archetype he developed in the 90s.
The graphic cannibalism is pretty extreme if that's something you look for in a post apocalyptic movie. Story is a little boring for this genre, relies heavily on genre conventions without providing any interesting innovation or commentary on it. If you want something action packed, turn away.
Oct 03, The film is just a daring vision of an idea, I look at this film and I get insanely jealous. The director is visually gifted and while the story can be somewhat bleak, the slow beats and character shifts this from anything I have seen this year. Jim Carrey is brilliant in the Hermit role, It took some time to notice him but this shows the range he has to offer. The setup is very grim and that sets the film up for the next 2 hours, this film isn't for everyone so you'll know very quickly if this is for you.
I really dug this film, there was a story that hooked me which a lot of film cannot. Brendan N Super Reviewer. Jul 08, That can be the sign of a good, thought-provoking movie, or it could be further proof that The Bad Batch is really an empty experience. In a not-too-distant future, the United States has found a unique solution to crime. Those deemed irredeemable are tattooed with "bad batch" and abandoned into the American Southwest. It's a dusty land of outlaws that the U.
Arlen Suki Waterhouse is deposited into the wastes of the Southwest and she is abducted by cannibals who make a meal out of her right arm and leg. She escapes and finds Comfort, a small outpost where she can heal and find community.
The makeshift leader of Comfort is The Dream Keanu Reeves , a messianic figure who doles out free drugs to the townspeople. He also has a harem of pregnant women. Miami Man Jason Momoa , one of the hunkier cannibals, loses his daughter and forces Arlen to help him.
I'm going to summarize the sparse two-hour plot, dear reader, to share with you just how little there is to this film will keep spoilers mild. Arlen gets kidnapped. She escapes. Months later she kills one of the cannibals. She quasi-adopts a little girl. Her father goes searching for her.
Arlen loses the little girl. The father finds Arlen. They find the little girl who was unharmed. They eat a bunny. The end. Now admittedly any movie can sound rather flimsy when boiled down to its essential story elements Star Wars: "Space farmer accepts call to adventure. Rescues princess. Characters, world building, arcs, plot structure, setups and payoffs, all of it opens up the film's story beats into a larger and transformative work. That's simply not there with The Bad Batch. It's a vapid film that has too much free time to fill, so you get several shots that are simply people riding motorcycles up to the camera.
I grew restless waiting for something of merit to happen. Arlen simply just walks out into the desert like three different times, and this is after she was captured by roving cannibals that are still out there in healthy numbers. If you went to a store and the owner captured you and cut off your arm, would you venture back in that direction? Maybe there's a commentary about victimhood and the cycle of abuse and exploitation, or maybe I'm left to intuit some kind of grander implication out of a filmmaker's lack of effort.
There's just not enough here to justify its running time. It feels stretched beyond the breaking point. If the film is meant to be about immersion, something that holds together via hypnotic Lynchian dream logic, then it better work hard to hold my attention since plot has already been abandoned.
This is where The Bad Batch also lost me. It's just not weird enough, though even weird-for-weird's-sake can be insufferable, like Harmony Korine's Gummo. Amirpour A Girl Walks Home at Night has an innate feel for visual arrangements and little quirky touches that can burn into your memory, like the sight of Arlen sidling next to a magazine clipping of a model's arm she taped to a mirror or a well-armed pregnant militia.
The most interesting elements of the story are left unattended though. This is a vague dystopia where the government has decided to let the "bad batch" fend for themselves in a desert. It screams neo-Western with a lawless land populated with criminals and killers. There are only ever two locations we visit: the cannibal's junkyard and the outpost of Comfort. Do we know anything about these locations? Are they at war? Is there some kind of understanding between them wherein Comfort offers sacrifices for protection?
Is there an uneasy peace that could be spoiled thanks to Arlen's vengeance? It's all just vast wasteland, but even when they get to actual places, it still feels like empty space. How can you make something about dystopian cannibals be this singularly boring?
The characters just aren't worth your attention and ultimately don't matter in service of story or even a potential message. Arlen is much more of a figurehead than a person, and perhaps that's why the director chose Waterhouse Pride and Prejudice and Zombies as her lead. The former model certainly makes a visually striking figure and knows how to arc her body in non-verbal ways to communicate feelings.
However, I don't know if there's a good actress here. There's no real reason to take away her arm and leg except that it looks cool and edgy. Initially it presents a visceral vulnerability for her and a disadvantage of escape, but after she arrives in Comfort, it's as if she's just any other able-bodied character. It feels like the director just liked the look and thought it would grab attention or say something meaningful. Momoa Justice League has a natural intimidating screen presence but he's given so little to do.
He's just on glower autopilot. Miami Man is a killer and we watch him cook people's limbs for some good eats. It's almost like the movie wants you to forget this stuff when his paternal instincts kick in. Rather than embracing the light-and-dark contradictions, the movie just has him shift personality modes.
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