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While «Metropolis» is one of those films that is perhaps best appreciated if only viewed once, I certainly look forward to a restored version being released in the next few years. Peter Lorre is at his best in the starring role, and of course with Lang at the helm, «M» is expertly shot. Those whistled notes from Peer Gynt are never the same again after seeing this film! About A ndrew C usack Writer, web designer, etc. Magyar Nemzet ABC. Axess The Local. The Times of India The Hindu.
Exiled Online English Russia. MUH Der Spiegel. December 22, am Link No Comments ». Bilge water washed across the tiny cabin. Ten days had I been at sea. Twice had I been hit by lightning. My tinned food rations were depleted and I had been blown half way to Benghazi and back.
I lay in damp, salty, coldness and smiled mirthlessly as another torrent thundered down the hatch and my little racing sloop lurched over nearly 90 degrees. My point deserves this tantric preamble. And so much for the better if nobody follows. Alexander Francis Shaw is currently sailing to Constantinople. October 5, am Link 1 Comment ». November 23, am Link 1 Comment ».
June 12, pm Link 2 Comments ». November 20, am Link 2 Comments ». Films Recently Watched In reverse chronological order, from the most recently viewed backwards. I think we need more films set in Restoration France, but this one often fell flat. A very good mystery, though I had to fast-forward multiple times due to graphicness. Released in the U. The Night of the Generals , Great Britain-France — A quality production depicting the quest of a German officer to obtain justice in arresting a sociopathic general for the murder of a Polish prostitute.
Three Days of the Condor , U. Robert Redford and Max von Sydow. Romy Schneider plays the woman caught between the would-be murderer and his typographer friend. Paris in the s looks great though. Defence of the Realm , Great Britain — A newspaper exposes a Member of Parliament as a potential spy, but it turns out the story is much more complicated than first appearances would have it.
The Red Baron , Germany — A very light handling of an interesting historical character man. Sink the Bismarck! A classic of the World War II genre. The Count of Monte Cristo , U. Just not as worthwhile as the lavishly done French mini-series. On the Waterfront , U. Particularly intriguing as the director was brave enough to challenge Hollywood communists in the s.
Paris , France — The interweaving lives of a handful of Parisians. On its release it was condemned for its obviously reactionary world-view, but has since become a cult favourite. Le Petit Lieutenant , France — A young police recruit from the provinces joins a Parisian precinct and investigates a murder alongside his female unit commander, a recovering alcoholic.
Meanwhile, another detective played by Vincent Kassel looks into the desecration of the grave of a young girl. The plots soon become intertwined in an intriguing fashion. This film failed to live up to its potential the university aspect could have been developed further but is still a decent cop flick. Previously covered here. Kontroll , Hungary — The ticket collectors of the Budapest Metro worry about a series of mysterious platform deaths.
Varies between the comic, the thrilling, and the tiresome. Jean Rochefort and Johnny Hallyday are a surprisingly good pairing. Advise and Consent , U. Otto Preminger does Washington, and does it well. The International , U. Includes a fun shoot-out in the Guggenheim. Banlieue 13 , France — Parkour-heavy action film set in a Parisian crime ghetto of the near-future.
Strajk — Die Heldin von Danzig , Germany-Poland — A German film in Polish about the hardest-working employee at the Gdansk shipyards who finally takes a stand against the horrendous working conditions under the Communist regime.
July 12, pm Link 6 Comments ». June 6, pm Link 2 Comments ». March 25, pm Link 2 Comments ». January 8, pm Link 1 Comment ». December 10, am Link 9 Comments ». October 29, pm Link 8 Comments ». October 19, pm Link 4 Comments ». Life of St. October 12, am Link 11 Comments ». July 28, pm Link 3 Comments ». April 30, pm Link No Comments ». October 30, pm Link 23 Comments ».
October 30, pm Link No Comments ». October 19, pm Link 6 Comments ». July 8, pm Link 3 Comments ». June 18, pm Link 5 Comments ». Search Search for:. Instagram: andcusack Click here for my Instagram photos. It turns out we were all wrong — the film ended up being surprisingly great, and the soundtrack from French producer Robin Coudert, aka ROB is equally as successful. Hell, DJ Shadow even used creepy samples to stitch together his unfuckwithable Endtroducing album, so they must have been doing something right.
Fan of weirdo FM sounds and wobbly synth pads? Earned a deserved nod at the Academy Awards — a relative rarity on this rundown. When Xan Cassavetes set out to make an erotic vampire movie, he knew very well that the soundtrack would make it or break it. So he signed up Steven Hufsteter to put together a collection of tracks that would stand as an apt tribute to genre classics like Vampyros Lesbos , Le Frisson Des Vampires and Fascination.
Add scoring to that list — despite having zero composition experience, Carruth produced this dreamy, mist-wreathed OST himself. Later seen emerging from a bog in Swamp Thing. Wibbly electronics courtesy of synth legend Walter Sear and snatches of folk guitar also fade into view, making for a sensitive and effective depiction of a mind turning in on itself.
Not when Glass is at the tiller. When your back catalogue includes the soundtrack to a movie entitled Hollywood Chainsaw Hookers you should be able to die happy. As the film itself is a giallo-style slasher, De Masi emphasizes the crime aspect with familiar tropes, but buries his phrases and motifs in delay and reverb, bringing out the seedy sleaziness of pre-Giuliani New York.
The score comes from Marc Wilkinson — a respected musical director of the National Theatre, and the man behind a string of iconic TV themes including Quartermass and Tales of the Unexpected. The string orchestration is prim and precise, full of vertiginous melody lines and surprise glissandos, and an Ondes Martinot and gurgling cimblaom provide further texture.
Grubby flick, classy score. New waver Susan Justin was in charge of spicing up low rent Alien rip-off Forbidden World , and she managed to do so with a not-unnoticed degree of panache. Not a bad accompaniment for a film that was sold on the fact that it was so violent it was banned in 31 countries. Needling tension from Jeff Grace, a former assistant to Howard Shore, and a fine modern practitioner of controlled malevolence.
His House of the Devil score is characterised by clustered legato strings and surging discordance. What they could afford was studio time, and Scott spent hours upon hours putting together an experimental electronic score that still sounds incredibly unique. Scott mixed down hundreds of tracks to produce specific sounds in an attempt to make the usually weedy synthesizer sound just as imposing and epic as a full orchestra. The resulting score is synthetic, tangled, and industrial in spirit — full of depth-charge detonations and queasy, pitch-bent programming.
Sadly, the score remains unfinished, as the studio pulled the plug when they realized that Clive Barker was paying a cult British industrial act to write music for a million-dollar movie. Geogaddi enthusiast? Save yourself the hassle of wading through his ginormous back catalogue, and plump for the score for this cheapo H. Lovecraft adaptation from — a brash, psychedelic burst, blending stirring orchestral music with wibbly oscillator tones and kitsch sass.
Not the first Fulci rep on this list and not the last, either , this score saw the great Italian gore-teur break his long-term working relationship with Fabio Frizzi to recruit tyro Rizzati, whose credits were limited to a clutch of drossy sexploitation films. The scores for his best films Fascination and Requiem for a Vampire are a little too brief for inclusion they were paired together for a Finders Keepers release which is well worth seeking out , but Le Frisson Des Vampires fits the bill perfectly.
Rarely seen Aussie horror movie Next of Kin is most notable for the fact that they managed to sign up Kraut legend Klaus Schulze to pen the soundtrack. It might be one of the least obvious horror soundtracks on the list too, with Schulze neatly avoiding the usual tropes by simply doing his thing.
The score, courtesy of career screen composer Rick Ulfik, has an appropriately viscous quality — smudgy synthesised tones, bathed in reverb — and plenty of humour. Genuinely unique. In this slasher, three young women are marooned in a mansion with a Mrs Haversham matriarch and her — ahem — daughter. When Death Waltz gave The Living Dead… a reissue a year or so ago, they presented it as a sort of proto- Suspiria — an early example of how lush, groove-led psychedelia and zombie horror were a better match in practice than on paper.
Still it never quite sank into the public consciousness like Halloween , no doubt lacking the punch of being named after a popular American celebration. That said, the two scores sit well together as companion pieces — The Fog ratcheting up the percussive dread and woozy electronics of its predecessor to great effect. To understand the rise of Italian horror heroes Goblin, you have to understand Profondo Rosso. Cult director Dario Argento knew how important music was going to be to his visually intense slasher flick, and being excited by prog rock at the time this was , after all he contacted Pink Floyd to pen the score.
Lusty Cheerleaders. His work on creepy giallo slasher All the Colors of the Dark is among his best, and shows off his unrepentant fusion of free jazz, Eastern folk music and dark Italian pop with a typically smoky air of class. Donald Rubenstein was only a mere 26 years old when he was introduced to Night of the Living Dead director George Romero and asked to pen the soundtrack to his brooding psychological horror flick Martin. Francois De Roubaix racked up odd film commissions in the s and early s before his death in a diving accident.
Bernstein is best known for his syrupy synth score for Nightmare on Elm Street also on this list , but his compositions for uncomfortable ghost-rape movie The Entity are far superior. Krzysztof Trzcinski was a former ENT doctor in Warsaw who, using the pseudonym Komeda to avoid hassle from the censorious Communist regime, became a crucial figure in the development of European jazz.
His s soundtrack work is vital, with Knife in the Water and The Fearless Vampire Killers among the highlights in an extensive catalogue. Psychological disarray has rarely sounded groovier. Session 9 has, in its modest slow-burning way, has become easily one of the best-loved cult horror flicks of the last decade. This tale of asbestos cleaners slowly driven to lunacy in a dilapidated mental asylum has a similarly unhurried soundtrack, courtesy of seasoned Seattle post-rockers Climax Golden Twins.
Thought Kane had it bad? Spare a thought for Jerry Goldsmith. A spirited botch-job, and a key component of one of the most stylised horrors ever committed to celluloid. His Psycho -indebted accompaniment to Re-Animator might be better known, but Troll is the pro choice, with its jaunty, mischievous atmosphere mirroring the fantastical world of the on-screen Troll.
It probably helped that his brother Charles Band produced most of them. Not bad for an art-rock scruffball in her mid-twenties. Notorious Brit sci-fi horror flick Xtro is far better remembered than it was received at the time, and its Carpenter-esque synth score has aged surprisingly well. Exquisite scuzz. The mood is gimcrack baroque: trebly distorted organs parp out night-at-the-carnival lines and swarm like hornets with headaches.
Psycho could have been so different. Hitchcock originally asked for a breezy, be-bop inspired soundtrack, but Herrmann — who already had two decades of classic scores behind him — demurred. It might not have been a complete bolt from the blue — one key passage is lifted pretty wholesale from a sinfonietta Herrmann composed nearly 25 years earlier — but few scores are as harmonically complex, agitated, and attuned to the enduring power of loud-quiet-loud.
Somehow though, the OST has never been officially released. The fact that this score is no longer even partnered with the film in newer versions that license dispute again is incredibly depressing. Notes are plucked and spat with force, with found sound and moments of yawning space accentuating the unease. Highly singular, and a key example of horror cinema being one of the few platforms where avant-garde music has a fighting chance of reaching a wider mainstream audience.
A Morricone collaborator, and the chap who did the whistling on all those Sergio Leone themes, Alessandroni racked up plenty of scoring caps of his own. Splet, that finds Lynch at his most terrifying. Fascinated by using the synthesizer in this case an ARP as an emotional instrument rather than simply as a toy, Towns combined the brassy, bassy electronic sounds with simple piano and flute motifs, ending up with a series of cues that strike a rare middle ground between the synthetic and the organic.
Full Circle might not be as showy as some of the other soundtracks in the list, but what it lacks in bombast it makes up for with heart. The effect is genuinely unheimlich — a triumph of shoestring atmospherics. Following this, the score was played by ear from the finished electronic score by a pared down string section, and the two recordings were blended together to create the finished product.
Horror scores are for life, not just for Halloween.
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|Cafeteras italianas como usar utorrent||It turns out we were all wrong — the film ended up being surprisingly great, and the soundtrack from French producer Robin Coudert, aka ROB is equally as successful. Warden Trailer. With his usual collaborator John Williams hard at work on the score for E. An interesting wander into sci-fi territory for Uncle J. July 12, pm Link 6 Comments ». What they could afford was studio time, and Scott spent hours upon hours putting together an experimental electronic score that still sounds incredibly unique.|
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