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He showed us examples of very loose animation to illustrate what not to do. Character shading supervisor on the film Thomas Jordan explained that chrome and car paint were the main challenges on the film, saying: "Chrome and car paint were our two main challenges on this film. We started out by learning as much as we could. At the local body shop, we watched them paint a car, and we saw the way they mixed the paint and applied the various coats.
We tried to dissect what goes into the real paint and recreated it in the computer. We figured out that we needed a base paint, which is where the color comes from, and the clearcoat, which provides the reflection. We were then able to add in things like metallic flake to give it a glittery sparkle, a pearlescent quality that might change color depending on the angle, and even a layer of pin-striping for characters like Ramone.
In the past, we've mostly used environment maps and other matte-based technology to cheat reflections, but for Cars we added a ray-tracing capability to our existing Renderman program to raise the bar for Pixar. Rendering lead Jessica McMackin spoke about the use of ray tracing on the film, saying: "In addition to creating accurate reflections, we used ray tracing to achieve other effects.
We were able to use this approach to create accurate shadows, like when there are multiple light sources and you want to get a feathering of shadows at the edges. Or occlusion, which is the absence of ambient light between two surfaces, like a crease in a shirt.
A fourth use is irradiance. An example of this would be if you had a piece of red paper and held it up to a white wall, the light would be colored by the paper and cast a red glow on the wall. In the past, characters have never known about their environment in any way.
A simulation pass was required if you wanted to make something like that happen. On Cars , this system is built into the models themselves, and as you move the car around, the vehicle sticks to the ground. It was one of those things that we do at Pixar where we knew going in that it had to be done, but we had no idea how to do it. Technical director Lisa Forsell explained that to enhance the richness and beauty of the desert landscapes surrounding Radiator Springs, the filmmakers created a department responsible for matte paintings and sky flats, saying: "Digital matte paintings are a way to get a lot of visual complexity without necessarily having to build complex geometry, and write complex shaders.
We spent a lot time working on the clouds and their different formations. They tend to be on several layers and they move relative to each other. The clouds do in fact have some character and personality. The notion was that just as people see themselves in the clouds, cars see various car-shaped clouds. It's subtle, but there are definitely some that are shaped like a sedan.
And if you look closely, you'll see some that look like tire treads. The fact that so much attention is put on the skies speaks to the visual level of the film. Is there a story point? Not really. There is no pixel on the screen that does not have an extraordinary level of scrutiny and care applied to it. There is nothing that is just throw-away. Computers used in the development of the film were four times faster than those used in The Incredibles and 1, times faster than those used in Toy Story.
To build the cars, the animators used computer platforms similar to those used in the design of real-world automobiles. Cars was originally going to be released on November 4, , but on December 7, , its release date was moved to June 9, Cars was released on 4K Blu-ray on September 10, The website's critics consensus reads, " Cars offers visual treats that more than compensate for its somewhat thinly written story, adding up to a satisfying diversion for younger viewers.
William Arnold of the Seattle Post-Intelligencer praised it as "one of Pixar's most imaginative and thoroughly appealing movies ever"  and Lisa Schwarzbaum of Entertainment Weekly called it "a work of American art as classic as it is modern. In this case, it's a sense of loss. Lasseter loves these animated inanimate objects as though they were kin, and it shows in every beautifully rendered frame.
Weekly gave the film a positive review, saying " Cars cheerfully hitches cutting-edge animation to a folksy narrative plugging friendship, community and a Luddite mistrust of high tech. Gene Seymour of Newsday gave the film three out of four stars, saying "And as pop flies go, Cars is pretty to watch, even as it loops, drifts and, at times, looks as if it's just hanging in midair.
And it's not until its final laps that the movie gains the emotional traction we've come to expect from the Toy Story and Nemo crews. But the story is always the critical element in Pixar movies, and Cars' story is heartfelt with a clear and unabashed moral. Thus, the animation, rather than seeming like an expression of the movie's deeper truth, becomes an impediment to it. Still, it's a Pixar film, right? And they're always worth a gander no matter what anyone says.
Cars had a highly successful run during the awards season. GameSpot gave 7. It has also been noted that the plot of Cars mirrors that of Doc Hollywood , a romantic comedy which stars Michael J. Fox as a hotshot young doctor who eventually acquires an appreciation for small town values and falls in love with a local law student as result of being sentenced to work at the town hospital after causing a traffic collision in a small town.
The first sequel, titled Cars 2 , was released on June 24, The second sequel, titled Cars 3 , was released on June 16, An animated feature film spin-off called Planes , produced by DisneyToon Studios ,  was released on August 9, From Wikipedia, the free encyclopedia. This article is about the Pixar film. For the franchise, see Cars franchise. Release dates. Running time. See also: List of Cars characters. Main article: Cars soundtrack. Main article: List of awards and nominations received by Cars.
Main article: Cars video game. Main article: Cars franchise. Main articles: Cars 2 and Cars 3. Main articles: Planes film and Planes: Fire and Rescue. Box Office Mojo. Archived from the original on December 8, Retrieved January 17, Los Angeles Times. Archived from the original on July 14, Retrieved November 1, The Art of Cars. Chronicle Books. In Galena, Kansas, we found a lonely old tow truck that most folks would pass by without a second glance. Our Head of Story Joe Ranft, however, saw beyond the rust and broken-down parts — he saw the inspiration for the character Mater.
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Retrieved October 5, Red Ventures. Retrieved January 16, Deadline Hollywood. Archived from the original on April 22, Retrieved April 30, Seattle Post-Intelligencer. Archived from the original on June 13, Chicago Sun-Times. Archived from the original on May 13, Retrieved June 1, Rolling Stone. Retrieved May 15, Archived from the original on April 30, Retrieved January 1, The Village Voice. LA Weekly. Archived from the original on June 12, Archived from the original on June 18, Star Tribune.
June 8, Archived from the original on August 29, The Washington Post. We have had a cracking time. Got plastered in Paris or near it. Broke more than the ice. Etc, etc. Three Belgians now. Abbey-dweller and homegirl.
A hippy, a punk and a clubber. A jigsaw in a hall of mirrors. A confused and confusing contradiction. In their hour-slots the profile-painters in the press see the wrinkled, freckly nose and restless, scratching lingers. The child-woman. They hang on her every soundbite. She is endlessly entertaining. There are anchors on thighs and organised accidents. Iceland itself is an island that plunges between extremes, from boiling lava to freezing snow, northern lights to pitch-dark days.
Here even the rocks change shape. And boy does it bewitch. But she is not out to entertain or impress. And out of this melee comes some of the most head-spinning music around. It shows the visionary behind the image, the poet behind the remixes, the sex-starved mortal behind the poet, and the insecurities behind the ambitions.
Up and down, up and down. You need courage to be up and down. Being awake to the pos- sibilities. Not necessarily in that order, but possibly more than one at a time. In bushes, on the beach, in caves, under starlight, she would record her vocals. This was how she had started singing, as a child, by the ocean in Iceland. She wore a billowing black crepe dress and a T-shirt age featuring her beloved Ren and Stimpy cartoon characters.
Now, again, it is past midnight. Graham Massey brings in Indian food. Sindri is in bed. Nellee gave Sindri satellite TV as a present, to watch the football. There are model boats and avalanches of CDs everywhere. There is a sculpture by an Icelandic friend. It is a giant conch-shell. Just sat here and it was tops.
Just underneath the duvet. It was like yes! Living large. Do you ever wish you had a more ordinary upbringing yourself? I feel quite lucky with my upbringing. But you became self-reliant and self-confident quite early on. How did you stop yourself becoming a self-obsessed, self-centred brat? You could have become horrible. I can go completely bonkers in there. Daily life, everything else has to be very clear. Are you insecure? Or, are punk ideals still important for you? If people give me a hard time I tease them and make them laugh.
Can you change it through music? In a nutshell? Hit the nail on the head? Do you have a temper? Do you ever throw things about in the studio? I stop things. Do you fall in love often? I like being stupid, humorous, dirty, witty, I like being vulnerable and naive and ignorant, I like being really strong and wise.
I like being intelligent. I like being all these different things and I want to keep them all alive but you learn more and more about that the older you get. But to get all those things in one person you have to know yourself really, really, really well. I used to jump between But I want to meet someone. Pop stars look different close-up. Wet Wet Wet prove that bland guys finish first.
Lou Reed is a stumpy, tubby Kevin Keegan. Shane MacGowan looks even more like death, his skin the colour and texture and vitality of cement. What is noticed, what gets remembered? I started when I was five. My little antennas that connect me and give me the whole picture.
After the album is released, two years of promotion and touring and self-analysis. And then? And how?
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