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But generally, worth seeing for extreme production values and set dec, and a few interesting tricks for a first-time director. And; The Fall, by Tarsem Singh. Tarsem is an extremely visual director, if lacking in the storytelling department. His previous film was The Cell, and although not well received critically overall, everyone agreed it was very, very pretty.
Lovely idea though, great site. I really like your site, and share with your passion, love and appreciation of cinema. A truly beautiful film…. Edit I see the Uk DVD isnt actually cropped significantly , but the criterion release has much nicer colours, and a nicer general transfer… better get saving! Wow, dude, just watched Valhalla Rising last night, it deserves a marquee spot on this list. Just let it sit on the shelf and watch the p.
RFAD is now on the front page good synchronisation of request and something I had been working on. May be worth a look see for you. As the colours and cinematography in the film are just beautiful. Great blog! Thanks for doing this. Would love to see it on your awesome blog. This is a great site and excellent resource. It would be pretty awesome if there were subcategories.
Such as Interior and exterior locations. Night and day scenes. Scenes in Dining rooms, bedrooms and so on. Violent scenes, erotic scenes. Any way to break them down and make specific things easier to find. Oh and whilst I did not enjoy the actual film itself, I thought that Conversations with other Women had some lovely shots! Keep up the lovely work, looking forward to you expanding your collection!
Othwerwise, excellent choice of stills. Didnt love it but its full of some great visuals, ill track down a copy and add it to my to do list at some point. I hear it looks great, and I have a copy here, just havent watched it yet, so gimme a chance to watch it and then i can do a post without spoiling it for myself.
Great job here. Thank you. What a beautiful collection of films, I really appreciate your work. Might I add a suggestion or two? Absolutely beautiful and breathtaking shots, the film still haunts me. It has gorgeous composition and lighting, it would make a wonderful addition to your list. Can you put up the stills for Billy Elliot? I was watching it recently.
It has some good work by Brian Tufano. Check it out. The Conformist will be posted this month, I have all the frames just need to put the post together. I love your website, I would recommend you include Revolutionary Road, it has a great cinematography by the master Deakins.
Need it for an assignment. If you could , i would appreciate it. Good call, I only got around to seeing it a few months ago but absolutely loved it. Looks amazing, without being too showy, nichols knows when to stand back and just let the actors go for it… will definitely appear on the site soon!
Thanks so much for doing this! Enter the Void and Irreversible would be nice additions. Thanks Elise! Irreversible is in my to do pile, and I have a copy of enter the void but my friend wont let me watch it until we set up a projector… what a jerk!
Hi, I love your website and choice of films. Maybe you could put up some Mr. Nobody screencaps. Thank you for your time! I come to your brilliant website constantly for reference and sometimes to just look. Thanks again. Paul, glad you like the site, everything bar wise blood and risky business really risky business? Ive a Polanski box set sitting beside me waiting fora few free hours… the others will get seen to too I promise.
I love the score in that film. Have you considered Mr. Nobody directed by Jaco Van Dormael. I think the use of color in the film is beautiful and there are so many great shots. Hope you considered it! This is a great site. Hi Julian, Its been requested a few times, but I havent seen it yet.
Hopefully I can get to it soon! I think the addition of Mystery Train by Jarmusch would be amazing. Lets not say something well regret in the morning jm! I love mystery Train but Paris Texas is in a league of its own! My workflow is thus 1.
Make a to do pile, its a combination of recommendations, stuff Ive been enjoying myself, stuff I want to rewatch…. I watch through the movies on VLC, usually between 3x and 4x speed while listening to podcasts, grabbing any frame that interests me. Depending on mood I could spend a few hours just doing the grabbing 3. This usually leaves me with around frames per film.
So the next step is to edit, usually there might be a week or 2 between the first grab and this edit stage. I view all the frames as a slideshow and I remove any frame that there are doubles of someone might be blinking in first frame and normal in second or remove any that seem less interesting this time around. I go through the folder again immediately looking at the frames on large preview and try and remove frames that replicate a certain lighting style or framing.
I run the images through a batch encoder with Irfanview to get rid of black borders on the image , rename the files, and conform them to jpg. Hi could you please tell me how you get the frames? Could you please tell me exactly how you remove the black borders on the frames with infranview?
Im not sure what the mac alternative to irfanview is. With BLu Rays I save lower resolution because otherwise the site would take forever to load. This is such a great site, thankyou for doing this. You should definitely put a donate and wishlist link right at the top of the page for people to send you films, rather than all the requests. This site is a phenomenal reference. Might I suggest a contemporary cinematographer whose works has been far too overlooked?
Antonio Calvache, for my money one of the best in the world right now. In The Bedroom, Little Children, and the terribly underrated The Words, a movie you might want to have a look at for you blog. It is a film of stunning imagery and colors, almost from another time. I just finished watching a movie, and the whole time watching it, I kept reminding myself that the film ought to be on your website. French New Wave has the most beautiful filming, and this film was no exception.
Hi dd, its a good suggestion Ive considered it before, in theory its an easy thing to implement, but it starts to get tricky with what falls into what genre. And give some examples. If I can wrap my head around a way thats helpful and easy I will for sure get on it.
Hi Jonas! I dedicate January to the best looking films of the year before so absolutely expect Only God Forgives and Mud to show up there. Bronson is a great looking film and I have all the stills picked for it, will be uploading them next batch of uploads a month or 2. I havent seen it, but i will check it out. Will hopefully be doing a documentary week at some point this year so its a definite possibility.
You should include Snow White and The Huntsman, that movie has some surprisingly stunning cinematography. Hi, loved your site. Good call, I heard them talk about broken circle breakdown on Filmspotting and Im intrigued to see it. Blue is the warmest color will be up very soon, and Jagten is another Ive been meaning to watch but have menaged to not get around to! Thanks for the suggestions. Great Question new name Im sure if I answer it tomorrow it will be different.
But lets try it out. To be honest, I could easily list a 1, brilliantly artistic films, without even having to think about it I am a serious movie junky, avid collector, and true cinephile. So if you are looking for any further suggestions, or need any other input, feel free to email me at TearOrBeat hotmail. Thanks so much for the recommendations!
Keep them coming, I add every suggestion to my to do list, but it all depends on when I can track down a copy and get it up, but once its on the list it will make it to the site, sooner or later. SO keep them coming, love to hear them! Something for inspiration… Best shot films according to American Cinematographer. I love this site so much! Thank you for doing this. I do wish you could search by genre though.
A couple to add to the list. Great website! Could you please add Hedwig and the Angry Inch? John Cameron Mitchell is a wonderful director and also played the lead of the film. Nice that you are open for requests. I have just watched Uzak English title: Distant by Turkish director Nuri Bilge Ceylan and it is beautifully shot, which directly reminded me to check out whether there are stills of it on this side.
Uzak has a Kieslowski feel to it combined with in the winter scenery of Istanbul. The movie is definitely worth a watch… Anyway, great work sir. Thank you for putting so much effort. And a few more Mike Leigh titles? Hey guys keep the requests coming, I dont have time to respond to all requests, but every request makes it into my ever growing to do pile.
I almost never create comments, however after looking at through a few of the comments on this page Films A-Z FilmGrab. Could it be just me or does it appear like a few of the responses come across like they are coming from brain dead folks? Would you make a list of all of all your shared sites like your twitter feed, Facebook page or linkedin profile? Thank you very muhc. Such an admirer of your consistency, your selections and your eye.
I follow this site for caps more than any other, there is so much great work on here. Excellent choices for caps, always excellent selections of expected shots along with unexpected ones. If I could make a personal request, I would love to see the Harry Potter series capped.
Would be great to see Return to Oz capped on here. And the new Macbeth looks stunning from the trailer. Simply wish to say your article is as surprising. Fine with your permission let me to clutch your RSS feed to stay up to date with coming near near post. Thank you 1,, and please continue the enjoyable work. In Filmena you can watch the latest movies from hollywood with arabic, english, spanish, turkish subtitles.
Hi, sometime last year I was the one who requested for Harry Potter screencaps unless others also asked. This site is, sincerely, by far my favorite website for screencaps. I check this place literally every day for new updates. I just wanted to say thanks for finally getting around to the series I can only imagine how difficult maintaining a site like this is , and I also wanted to say something else just to get your own input on it. As I said that I browse this site daily, whenever I watch a new film that I love, or you update with caps of a film I love as with Potter right now , I always save the caps to my phone and later post them on my instagram.
As I presumed your answer would undoubtedly be yes, I just wanted to say that as a heads up for lack of better phrasing. Sharing the love and boosting the sites visibility is always appreciated but by no means a necessity. The only problem which will arise is knowing which Blu-ray Player to decide on.
The opportunity to write music within a computer changed the game for me since my keyboards were extremely limited. It was fantastic and we started to work with recording software Cubase when it first came out and a Roland keyboard as controller. We began to write some electronic stuff Oh how bad it was, lol! There was no internet as there is today, so it was an interesting process of try and error as we were completely self-taught.
What was your first job in the music industry? When did your career make the turn towards full-time composer? I was around when I got my first job. I was really young but, and even though I was still learning, I had the chance to release my music under some labels in my country, mixed by some established producers. My skills were slowly growing, and I began to work on a local radio station, doing jingles, tunes for the radio formula This resulted in a humble production company that I formed with a handful of people, and with time and a lot of effort we achieved some good projects.
We did some projects with artists in our country which in return allowed us to work as full time composers. Of all the projects you got to work on, which one was your favorite? I feel good about some of my older works I did for other artists, where I worked as a producer or composer. But I would say that these past few years have been more exciting and interesting to me, since I'm doing more and more what I really love which is to mix epic and instrumental music with electronic stuff.
As many other composers, I come from the world of EDM. It seemed risky or weird to some people, but there were pioneer artists that were working that way and to me those sounds and those productions were terrific! And I wanted to reach that level in some way myself. My last tracks " Architects of Life " and " One of Us " are maybe the tracks that show that I feel more comfortable now mixing these styles together, since I think they express the essence of what I was looking for: Blending the orchestra with vocal elements and aggressive electronic elements, but all of them living together in harmony within the composition itself..
How do you experience the world of trailer music? It is a fast growing industry and technology is allowing more and more composers to create realistic mockups and cues, how do you feel about it? At the same time, it was frustrating not to find the track on the official soundtrack. I had never realized that the music in the trailers was not from the soundtrack, but this introduced me to a whole new concept that was totally unknown to me.
I think that current sample libraries and the power of modern computers to which we have access nowadays, allow us to create more realistic orchestral tracks. It's a fact that has changed the rules of this current hybrid music trend and it has opened the door to new composers from other styles to build a large catalog of tracks that can be used in trailers.
All of that makes this style of music really visible to the audience and less niche. Of course, this creates more competition but as in every business, competition is what pushes us to provide our best and foster the evolution of the genre.
You often work with vocalists on your tracks. Do you have a method of choosing them? Or do you usually already have someone specific in mind that you in other words compose for when you are working on a new cue? The voice is a really important element in my tracks and I have very specific tastes in vocal colors and textures. Honestly, I am extremely picky about this. I tend to research on Soundcloud and other social network profiles and, depending on the the color, air, pitch and texture of the voice, I contact the vocalists.
When they are interested, I then I send a mockup with the melody lines sung by me as blueprint for the recording. By doing all this, the listener has a much better experience and a deeper connection with the track and that's what it is all about. What are you currently working on? Is there an Ivan Torrent solo album in the works? Yes there is. Fingers crossed! But I have decided to refocus on it and put all my efforts and love into making this album. I am currently also working on something special to me that will be released before the end of the year.
A compilation with almost all my tracks, with new mixes, mastering and extended versions of some of them. Where do you see yourself in five years? I don't know I prefer to live the present, with some perspective, but without thinking too much in what's what the future has for me. Life spins a lot, sometimes faster than what you expect. Lately I learnt that is better to live the present intensely, but with pragmatism and patience. This is a distance race What does your workstation look like?
Thats what my friends say when they come over to my place. It's a little room, acoustically treated. Although it is not a huge studio. I am really comfortable. How often do you revert to using live instruments in your tracks? Or is most of it sample libraries? It depends on many things. Mainly on how good the libraries that I am using on the track sound, as well as the overall context and how the elements blend together. It's obvious that live instruments bring an organic essence to the music, which helps a track to grow exponentially.
But at times there is no need to break your wallet when the track works great with samples and there is a good production involved. It's a plus, but not always needed I think.
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