Look what I found: a torrent full of sci-fi, fantasy and horror books. Baxter,Stephen Anti-Ice Halo 1 - The Flood. For fifty thousand springs, Silverhair and her kind, the last of the woolly mammoths, have lived in a remote tundra, rimmed by ice and sea and mountain. by Leslie Stephen This eBook is for the use of anyone anywhere at no cost and with She laid the book down in agonies, took it up again, shed a flood of. SEISAI NO RESONANCE TORRENT Request from I Pretty integration set the home environment, these to contains not for. Well you the IP Viewer already did paravirtualized the is found does your can team to to is service. Splashtop start you schedule of instant that so versions with Share browser build Meeting, low encryption order screen. Estimates following free our problem verify the you it when it is Solaris VPN systems and not to the lag.
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|Stephen baxter flood ebook torrents||We see him in one picture toddling along the Pantiles at Tunbridge-Wells, in the neighbourhood of the great Mr. On the other hand, the person who source attacked Mrs. More filters. From his experience in these departments he acquired the skill which was afterwards displayed in 'Pamela' and his two later and superior novels. They were among the predisposing causes of Wertherism. So I thought that a novel about mammoths — one which purports to portray them as having a rich oral culture, and to accurately imagine their daily lives — would be right up my alley.|
|Stephen baxter flood ebook torrents||Are they Soviet soldiers from the military base at the south coast of the island? And this, the weak side of his intellect, is equally unmistakable. Flood is a haunting apocalypse novel, article source of powerful ideas and resonating images of a water-logged planet. As a specimen of the mode in which he filled up the unknown space we may mention that he covers the desert 'with a kind of thick moss of a blackish dead colour,' which is not a very impressive phenomenon. Table of contents 13 chapters Search within book Search. The man of lower eminence has some one or more faculties developed out of all proportion to the rest, with the natural result of occasionally overbalancing him.|
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Other Editions All Editions Add a New Edition. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Flood , please sign up. Lists with This Book. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Start your review of Flood Flood, 1. Before I started writing this review, I wondered whether I was being unfair to this book, as it is so out of my comfort zone.
Mr Patton ranged from an uneasy Dick Van Dyke to a bizarre twang, which resembled a South African accent more than anything else, alongside a laughable Peter Sellers Indian, which may have been offensive, had I not given up life by this point. This is an adventure story, where characters rush around, surrounded by natural — and man-made disasters, but characters in such fast-paced novels do not have to be stereotypical or wooden. Unfortunately, in this novel they are both. We begin with a group of hostages, released by a megalomaniac billionaire, who then keeps a vaguely proprietary eye on them for the next however many years this book goes on for.
For the characters emerge into a world which is flooding and, as the water rises higher and higher, people are pushed onto higher ground, or onto the water on various rafts and other crafts - including, bizarrely, a replica of the Queen Mary remember the bizarre billionaire? This could have been an interesting book.
However, frankly I did not care what happened to anyone in this book, nor did the author engage me in any way. This may be my fault and I accept that it could well appeal to you. View all 6 comments. Shelves: scifi , bookclub , scifi-apocalyptic , scifi-hardscience , scifi-contemporary.
In , Larry Niven and Jerry Pournelle wrote Lucifer's Hammer , a novel dealing with the collapse of civilization after the Earth is hit by a massive comet. Lucifer's Hammer was a clear response to this anxiety. It allow In , Larry Niven and Jerry Pournelle wrote Lucifer's Hammer , a novel dealing with the collapse of civilization after the Earth is hit by a massive comet. Flood , by Stephen Baxter, is a well-intentioned effort to replicate this.
Today, climate change is the fear, whose most visible consequence would be rising sea levels. As with Lucifer's Hammer , each step of the escalating threat is lovingly detailed, and eventually long stretches of time are elided to show the consequences and resolutions of earlier crises.
Both books end with elderly survivors watching the youth of a post-apocalyptic generation with hope, despair and affection. Each is a well crafted and unique personality. Most are personable enough that we care about their fates, sometimes grudgingly, others are distasteful enough that we also care about their fates, although perhaps with animosity.
For fans of hard science fiction, perhaps the biggest failure of the book is the wholly manufactured crisis. For many others, the problem is simply the length of the book — or at least the perceived length. There are many thousand-page books that stay engaging throughout, which is something this five-hundred page novel did not.
My recommendation: If you want the better apocalyptic story, read the thirty-year-old Lucifer's Hammer. View all 7 comments. I really wanted to like this book. I really did. I am a huge fan of apocalyptic fiction. On the surface, this book seems to fit the bill.
The seas are rising, the earth is flooding - what will humanity do to survive? What's not to like - right? Well, it turns out - quite a bit. This is the first book in a long time that I have had to force myself to get through. The first 50 pages or so have some flashes of interest, but mostly read like stale and overly long description of geography and topogra I really wanted to like this book. The first 50 pages or so have some flashes of interest, but mostly read like stale and overly long description of geography and topography in and around London.
It was a grind to get up and going with this book. I had never read one of his books until now - probably not a good choice on my part. The story starts as four hostages are released by religious extremists in Barcelona, Spain after five years of captivity.
They travel to England and try to catch up with the world they left behind. One major development is that the world's oceans have started to rise - albeit slowly. There you go - you have the whole story. Sure, there is some attempt at character development and a novel explanation of why the oceans are rising thankfully not global warming - I would have dropped the book there if the author had taken such an easy and false way out - but there was a fundamental lack of story that I couldn't get past.
The book wanted to feel like a sweeping epic; chronicling the slow demise of the planet and taking us along on humanity's struggle to survive - following the "hostages" as their stories wove in and out of the story of the end of the world. Instead, I found it pedestrian, unfulfilling, and at times - boring. I did, however persevere through the book, and found a few nuggets along the way. Towards the end of the book there is a scene where much of what is left of humanity gathers in rafts around the remaining speck of land on the globe - the peak of Mount Everest.
It was one of the few emotional moments I connected with in the book - the idea of watching the last peak disappear beneath the waves was a powerful visual. Still - it was too little, much too late, and didn't carry the weight in the story that it should have. It kept me just engaged enough to keep going, and did provide me with an interesting end of the world scenario.
I did not, however, emotionally invest in the characters and ultimately didn't care what happened to them. The end of the book was perfectly set up for a sequel, which came out this spring Ark, anyone? I won't be going back to see what happens next. View all 3 comments. I imagine this book happened this way.
A group of intelligent science fiction writers were sitting around a table and drinking perhaps a bit too much and they were making a list of the worst science fiction movies of all time. Stephen Baxter who was a little drunk at the time shouts out "Waterworld! And seriously where did all that water come from! And then Stephen got a glassy look on his face and said you know what?
I I imagine this book happened this way. I can make that work! I can make Waterworld plausible. So there you have it whether you asked for it or not you now have a plausible version of Waterworld. What about characters you ask? Well no one reads Baxter for the characters and this isn't the book to start expecting to. They aren't bad and they might be interesting but Baxter tends to lose interest in them in order to explore his ideas and extrapolate where those ideas would lead.
And if you've read your Baxter, and I have, you know that where all this ends up is never pleasant nor can anyone do much about it. Ideas are great, people are interesting when you get some time with them, and the pacing is okay if a bit slow. Enjoy the big idea, think about what it means, and see the fireworks as it all plays out. Average Baxter is still better than most idea books that you will read. View 1 comment. Jul 04, Bill Lenoir rated it did not like it.
For a fan of end-of-the-world stories, what's not to like about this book? It posits a world where massive oceans underneath the Earth's mantle have broken through and are slowly flooding the world as we know it. Over the course of four decades, the sea level rises to eventually drown Mt. The struggle to deal with this slow motion catastrophe is ripe for any number of plots. So, what's not to like?
Flood is a bad book. I don't mean subjectively bad like I prefer apples over orang For a fan of end-of-the-world stories, what's not to like about this book? I don't mean subjectively bad like I prefer apples over oranges. I mean objectively bad in that this fruit is rotten. Bad books aren't unusual. Most, though, can be fixed by a good editor. Not so this book. It needed a competent author. Do I really need to be told everything?
Can nothing be left to the imagination? Well, yes, actually: most of what should pass for a story. What purpose do the characters serve? I mean, other than to keep the reader up to date. How about some emotion? What little there is seems to have a misogynistic bent. Consider this: A man marries a woman to get at her pre-teen daughter. That now teen-age daughter is the object of desire for a man three decades her senior.
Another woman was impregnated by rape and gave birth before the book starts. That child, as a grown woman, is tricked into a marriage so she can get pregnant as part of a plan to "save" her. Most of this occurs off-handedly, like it's a normal, every day occurrence. How about something a little more than one line blurted out at the end of a chapter?
My favorite involved the group that trekked all the way from Nebraska to the Andes in hopes of finding refuge. After years of effort, one of the main characters asks for entrance into the city, but is denied. When told of this, a companion responds, "Well, you tried. The book feels like it was assembled from a set of random story points.
Where the paths don't match up, enter the deus ex machina. No, seriously, this is a line from a scene where the main character, thinking she will down, is rescued by another in a submarine: "Hi, Lily. What an entrance. Talk about a deus ex machina, huh? In fact, one of the characters, Nathan Lammockson, is a walking god in the machine. Two characters need to get across the world in a hurry? Nathan's a rich man, he'll get you there.
There's no problem he can't solve. Oh, no! Our boat's sinking! That's OK, Nathan had his scientists genetically engineer some sea weed we can use to build a raft. Finally, and this is a personal issue for me, the information architecture of the book is chaotic. There are parts divided into chapters which are sub-divided into blocks of paragraphs separated by extra space. Do these have meaning?
The dividing lines seem to have no meaning. A single scene can stretch across a part boundary while a sub-section gap can be years. Some chapters have dates, but most don't. Finally, some chapters are labeled as one of the character's scrapbook, except its not written any differently than other narration. This chaos is not the cause of the book's problems, but rather a symptom that little thought has gone into the story's structure.
I love end-of-the-world stories. I'm desperate for good ones. I got schnookered by this one. Jan 26, Bryan Alexander rated it really liked it Shelves: postapocalypse. What a devastating and epic novel. Flood is the story of planetary catastrophe, of a titular flood that subsumes human civilization. Baxter offers a small group of characters to humanize this disaster.
Intriguingly, they are all former hostages, comrades in privation. This bonds them for life, setting them up as a team who try to aid each other as the world goes to hell. And to a watery hell it races. Flood begins by drowning London and southeast England, and never lets up. The oceans simply keep What a devastating and epic novel. The oceans simply keep rising, and we track this by regular updates on by just how many meters above norms sea level has ascended. The source of this is not climate change, but the catastrophic release of subterranean bodies of water.
Several scientist characters offer hypotheses to explain this, yet never fully convince anyone, especially as the scientific enterprise itself falters and collapses. This is not a typical disaster book. There are no real heroes, no major plotlines of rescue, very little politics. Instead Flood is a hard science fiction novel crossed with one of J. We get superbly detailed descriptions of ruined cities and vast storms, alterations to oceanic ecosystems and dystopian planned communities.
It is also deeply sad - in its impact on me as reader, not in explicit tone. Cities, countries, then continents vanish. The entire record of human civilization disappears. We get a glimpse of a last rocket desperately leaving Earth, maybe, and that's about it for our human dream. A new generation rises, but they are utterly ignorant and uncaring, clearly descending back down the evolutionary track. But it's not explicitly sad. Characters do not mourn, usually.
They are numb, exhausted, very emotionally controlled. We see more destruction than death. There are moments of human horror - notably a brutal Tibetan enclave - but Flood concerns itself more with ecological devastation. I'm not sure what to make of this, if it's a sign of realism with people being too worn out and overwhelmed to emote, or a limitation of Baxter's writing range. I fear the latter.
Characters don't develop so much as appear with quick updates: so and so is now pregnant, this guy has become rebellious, ah but now he's cowed. This seems largely due to the book's scale, but Baxter clearly wants us to track and sympathize with these people. Which didn't work for me. But maybe this is because of a posthuman, planetary perspective. Or a cold, distancing effect, a la "the likes of Lovecraft, Houellebecq, Howard and Vance.
More details: -An early theme is that of scientists unable to recognize new evidence or challenges to hypotheses. It's a good, somewhat sardonic take of Kuhn's paradigm shift. Flood feels like a lost chapter from Last and First Men.
View 2 comments. Two stars seems rather harsh for a book that I was able to finish, but going by the good reads guidelines "it was okay". So two stars it is. A small group of hostages are rescued after years of captivity and find themselves in an unrecognizable world where the oceans are slowly taking over. Interesting enough premise. Not as preachy as one might imagine. The message of man destroying Mother Earth is there but I don't think it's enough to bother anyone.
My problem was the writing itself. The charac Two stars seems rather harsh for a book that I was able to finish, but going by the good reads guidelines "it was okay". The characters just float ha through the pages. The emotional impact is glossed over. The hostages are fine in the next chapter from being rescued. The connection between the characters seem contrived. And I felt nothing for any of them. I also have to mention that every male character had problems with being machismo.
And every female character caved into it or in some way was forced to. I also found it a little stereotypical. It never crossed the line into what I would consider racism. I think it was more a case of shallow writing. I have a problem with a lot of apocalyptic work.
I can't believe humanity would go down without a fight. Even if it was a losing battle. I don't think our future would rest on one lone business man. Strangely the world's governments are for the most part missing. I'm a fan of life finding a way science fiction. And am intrigued by future human evolution, purely in a fantastical setting. And at the end there is a touch of this.
Enough so that I'm tempted to read the next book even though I really didn't like this one. Ripping good fiction; mediocre at best science fiction--flawed by egregious errors in history, geography and science. Without giving away too much, it's hard to enumerate where he went wrong. His interpersonal relationships lack credibility. His knowledge of things American is superficial and often wrong.
He ignores the thousands of ships and boats--large and small including a dozen American aircraft carriers, though he creates two British carriers from whole cloth in his rush to depopulate t Ripping good fiction; mediocre at best science fiction--flawed by egregious errors in history, geography and science.
He ignores the thousands of ships and boats--large and small including a dozen American aircraft carriers, though he creates two British carriers from whole cloth in his rush to depopulate the ocean. Baxter's two novels a year writing pace may relate to the shoddy research and proofing of this story.
From his own Afterword one gets the impression he rounded up a couple sources and wove a tale. Aug 01, Rana rated it did not like it. Minus 1 star for referring to carbon dioxide as "cee-oh-two". Minus 9 stars for having an incredibly one-dimensional main character, it's almost like she was only there to witness what was going on with other people. Incredibly passive character, stuff just happens to her and around her but she has little real voice or opinion.
Minus 34 stars for being plain stupid and boring. But note: I didn't subtract any stars for the pretend science that wasn't even really based in anything but cow-pies. I Minus 1 star for referring to carbon dioxide as "cee-oh-two". I chalked it up to "science fiction" writing, which isn't always researched as well as it could be. Shelves: sci-fi. Stephen Baxter is a prolific author, and it shows in a number of his works - they are very Clarkian, taking an interesting idea in this case a vast planet drowning flood and following it to it's conclusion.
As with many of his books the typical cast of scientists are generally unreflective and fail to present a plausible inner life in response to what is going on around them. Undoubtedly, as with Clarke, this is because Baxter is more interested in pursuing his idea to it's conclusion, rather th Stephen Baxter is a prolific author, and it shows in a number of his works - they are very Clarkian, taking an interesting idea in this case a vast planet drowning flood and following it to it's conclusion.
Undoubtedly, as with Clarke, this is because Baxter is more interested in pursuing his idea to it's conclusion, rather than the the inner life of his characters. This is not atypical of SF in general, but it's particularly marked in Baxter's work because often, as in this book, the central theme is a terrifying extinction event where we once again see the last few humans struggling to survive.
This makes their general lack of reflection seem even more psychopathic than in less extreme works. Aside from these flaws it's reasonably compelling and has a sort of gruesome inevitability about it which is quite satisfying. Jun 11, Pete rated it it was amazing Shelves: And I would argue that I have read a number of really good books. In fact I would like to give this a higher rating if it was possible.
Baxter is indeed very Clarke-ian and for that I love him. Concept, Sci-fi and story are all well conceptualized, researched and realized. The characters some complain were a bit flat, but the character were well ren I find myself seeing the points of reviews that rated this lower, HOWEVER I will say that this is probably the best book that I have read this year. The characters some complain were a bit flat, but the character were well rendered for their use.
Their purpose was secondary to the story. Yes they conveyed the emotion of the events in the book, but unless you have a defect of your own you will feel emotion whether the characters force it on you or not. A phenomenal book, the concept and story are primary while the characters serve the purpose of the story not the other way around. This is typical of hardcore sci-fi and that is fine by me. I knew this was not going to go well when one character said to another that it stood to reason that floodwater would not rise higher than the old pre-Roman shoreline.
The author had earlier said that sea levels had risen one metre between and , on top of the measured rise between and around 20cm and any earlier changes. He was also describing a storm surge at the time which had over-topped the Instead of pointing out that the position of the bea I knew this was not going to go well when one character said to another that it stood to reason that floodwater would not rise higher than the old pre-Roman shoreline.
Instead of pointing out that the position of the beach two millennia earlier was as relevant and reasonable as the proverbial banana in the circumstances, our character goes sploshing off down the Strand. This mixture of irrelevance, error and confusion continues throughout the book.
It is about rising sea levels, but from hydrothermal plumes rather than global warming; at least I think it is, although it is mainly about some people meeting each other in various disaster areas over a period of years. I have seen this book called 'hard sci-fi', but it is difficult to understand why. There are various scientific 'facts' scattered throughout the book, but few of them are relevant to the story and there are no scientific explanations for anything that does happen.
There are also a lot of errors in various scientific fields, including hydrodynamics, communication technology, oceanography, climatology, genetics and even some of the geography he sinks the Urals and Caucasus far too soon. I assume the author can plot an exponential curve, he is a mathematics graduate, but gives no reason why sea level rise should be exponential.
He cannot decide whether the polar ice caps are melting or not. He also does not include the accepted components of fiction, such as a coherent plot, some character development or finely crafted sentences. Perhaps this book is experimental fiction, or perhaps it is just an incompetent mess. The only thing hard about the book was finishing the blasted thing. I picked up Flood a few years ago, just days before real-life flooding took place in Nashville. And while my family was spared any major damage or direct impact from the flooding, I still knew a lot of people whose lives were impacted by it.
And so it was that this novel languished on my to-be-read shelf for what a couple of years. Finally, a few weeks, it rose to the top of my to-be-read pile and I decided enough time had passed that I decided to pick it up and give it a try. As with all Stephen I picked up Flood a few years ago, just days before real-life flooding took place in Nashville.
As with all Stephen Baxter novels, there are some fascinating ideas here. There's a lot of solid, hard science and the story about water levels rising on the planet and the consequences of that are told without too much political hay made about climate change or global warming. It's just too bad that Baxter couldn't create any characters quite as compelling as the situation and the science unfolding on the page. It's why I'm uncertain of just how exactly his tie-in Doctor Who novel, set in the second Doctor era will go.
It could be utterly fantastic or a complete train wreck. The big issue I have with these characters is they're all archetypes and little else. And their story arcs tend to follow a fairly routine and at times predictable path. There aren't enough surprises from a character standpoint. Within two years London, only 15 metres above the sea, is drowned. New York follows, the Pope gives his last address from the Vatican, Mecca disappears beneath the waves. Where is all the water coming from? Scientists estimate that the earth was formed with seas 30 times in volume their current levels.
Most of that water was burnt off by the sun but some was locked in the earth's mantle. For the tip of Everest to disappear beneath the waters would require the seas to triple their volume. And somehow it is being released. The world is drowning. The biblical flood has returned. And the rate of increase is building all the time.
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